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MaGeSY ® R-EVOLUTiON™⭐⭐⭐

  • DeeQ v1.2.0 WiN MAC LiNUX-R2R
    May 23rd, 2022 ⚡
    Categories: AU, LiNUX, macOS, VST, VST3, WiNDOWS, x64, x64, x86, x86

    DeeQ v1.2.0 WiN MAC LiNUX-R2R

    DeeQ v1.2.0 WiN MAC

    Team R2R | 25 April 2022 | 16.52 MB

    VST • VST3 • AU • AAX

    DeeQ is a single-band dynamic EQ filter that automatically adjusts the parameters of the EQ based on the incoming envelope or an external sidechain.



    Viewed 14742 By Music Producers.


    • Maximal v2.3.0 WiN MAC LiNUX-R2R
      May 23rd, 2022 ⚡
      Categories: AU, LiNUX, macOS, VST, VST3, WiNDOWS, x64, x64, x86, x86

      Maximal v2.3.0 WiN MAC LiNUX-R2R

      Maximal v2.3.0 WiN MAC LiNUX

      Team R2R | 25 April 2022 | 19.88MB

      VST • VST3 • AU • AAX

      Loudness Maximizer / Brickwall Peak Limiter

      Maximal 2 is a loudness maximiser, featuring an advanced lookahead peak limiter and analogue modelled saturation. The multi-stage limiter section features next-level lookahead, automatic makeup gain, and adaptive and responsive release. This plugin will smoothly limit any peaks in the audio, and automatically increase the overall level. The analogue modelled tape and tube saturation modes encompass all the best parts of the analogue world, without all the bad parts – such as high-frequency roll-off, hiss, wow and flutter. Using our adaptive release technology, you can simply tell Maximal 2 whether you want the limiter to be fast and loud, or slow and transparent, and it will do what’s needed inside. You can use Maximal 2 to catch rampant peaks in an audio recording, or you can use it to make your track phat and loud – it’s up to you how you push it.



      Viewed 13733 By Music Producers.


      • Steinberg Groove Agent 5 v5.1.10 WiN-V.R
        May 23rd, 2022 ⚡

        Steinberg Groove Agent 5 WiN

        Groove Agent 5 v5.1.10 WiN

        Team V.R | 23 May 2022 | 232MB

        .: STANDALONE, VSTi, VST3, AAX, x64 :.

        Designed for both songwriters and beat producers, Groove Agent 5 includes the very best of electronic and acoustic drums. One of the most detailed acoustic drum kits ever featured in Groove Agent sits alongside a wide variety of percussion, modern electronic drums and MIDI grooves, delivering an inspirational rhythmic composition tool for producers in every genre, from jazz, funk and rock to Trap and EDM. Support for VST, AU and AAX plug-in formats means Groove Agent 5 can be used with virtually any DAW. A new standard of dynamic acoustic drums; new kits for electronic music; new MIDI grooves; live sampling; Decompose feature for your own signature drum sound; 32 velocity layers; updated and resizable user interface… plus much more!



        Viewed 12466 By Music Producers.


        • AGTC v3.6.0 STANDALONE AU VSTi VST3 AAX x64 WiN MAC
          May 22nd, 2022 ⚡

          AGTC v3.6.0 STANDALONE AU VSTi VST3 AAX x64 WiN MAC

          AGTC v3.6.0 WiN MAC

          P2P | 22 May 2022 | 5.92 GB

          …::: STANDALONE, AU, VSTi, VST3, AAX, x64 :::…

          Ample Guitar TC aim to bring a Fender Telecaster (John English Masterbuilt) sound to your studio.



          Viewed 15365 By Music Producers.


          • Lotus v1.1.1 VST2 VST3 AAX x64 WiN
            May 22nd, 2022 ⚡
            Categories: AAX, VST, VST3, WiNDOWS, x64, x64

            Lotus v1.1.1 VST2 VST3 AAX x64 WiN

            Lotus v1.1.1 WiN

            P2P | 06 March 2022 | 14.78 MB

            ADDED TODAY –> Team R2R | 24 March 2022 | 6.9MB

            New secret weapon for melodies Our most game changing plugin yet is finally here… LOTUS LOTUS is an analog delay / pitch shifter with hundreds of unique capabilities. If you’re trying to make your melodies more unique, you need this plugin. LOTUS perfectly replicates a famous guitar effect pedal that’s become very popular in Hip Hop and Lofi production (can you guess what it is?) The problem is, this hardware pedal is hard to get, hard to use, and is extremely expensive. Plus you can’t even save presets easily or even use it in stereo… However, LOTUS is very easy to use while keeping all the advanced features found in the hardware version, plus it’s much more affordable. This plugin is a game changer for making melodies more interesting. Put it on any loop and it instantly gives you a unique sound.



            Viewed 9201 By Music Producers.

            Tags: , , , , , , ,

            • Lunar Lander v2.1.2 AAX VST3 x64 WiN-R2R
              May 20th, 2022 ⚡
              Categories: AAX, VST3, WiNDOWS, x64

              Lunar Lander v2.1.2 AAX VST3 x64 WiN-R2R

              Lunar Lander v2.1.2 WiN

              Team R2R | 23 March 2022 | 38.5MB

              Breathtaking bucket-brigade Device (BBD) analog delay, plate reverbs (3 sizes) and Class A and Class A/B saturation emulation plugin. Easy to use 3-in-1 combo guitar-like pedal. We all know the delicate tweaks needed to get a sound to “sit” in the mix. The name of this plugin, Lunar Lander, came about from the easiness of getting this task done. Primarily designed for guitarists or to tame your aggressive analog synthesizers to sit in the mix, but you will find it working well with just about any other sound source. Put it on your plastic sounding soft synth, and crank the saturation up, and transform your Chihuahua synth to a Dobermann Synth Try Tap Tempo your bpm and crank up the regenerate knob on the BBD Delay Module and get the track grooving. You can switch the signal path to go first through either the BBD Delay or Plate Reverb. Try Lunar Lander on Bass Guitar and get that larger than life sound. Do you want that 80s soaking reverb sound? Switch to Plate 3 and you are there in a second.



              Viewed 19737 By Music Producers.


              • P914 FFB v1.5.3 AAX VST3 x64 WiN-R2R
                May 20th, 2022 ⚡
                Categories: AAX, VST3, WiNDOWS, x64

                P914 FFB v1.5.3 AAX VST3 x64 WiN-R2R

                P914 FFB v1.5.3 WiN

                Team R2R | 23 March 2022 | 11.5MB

                At a time when Bob Moog and others were pioneering the concept of voltage control for oscillators, filters, amplifiers, and more, Bob Moog again broke the mold and conceived a fixed filter bank; no voltage control! This was not an equalizer although it had certain visual characteristics of one. No, the intent of the FFB was to enhance the primary signal, adding harmonics at specific frequencies or removing them at others. This was a time when musicians and engineers were struggling to come to terms with the new synthesizers charging across the music industry and how to employ them in the composing and performing world.



                Viewed 8680 By Music Producers.


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